Syndicate: Fw: Film-Philosophy: Call for Reviews and Articles

[Arthur Bueno <abueno@v2.nl>]

From: editor@film-philosophy.com
Date: Mon, 3 Jul 2000 17:34:09 +0000
Subject: Film-Philosophy: Call for Reviews and Articles


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    F I L M - P H I L O S O P H Y
    Internet Salon (ISSN 1466-4615)
    http://www.film-philosophy.com

    Call for Reviews and Articles
    July 2000

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    CALL FOR REVIEWS

Guy Austin, _Claude Chabrol_ (1999).
Martin Barker, with Thomas Austin, _From Antz to Titanic: Reinventing Film
    Analysis_ (2000).
Eleanor Bryne and Martin McQuillan, _Deconstructing Disney_ (1999).
Warren Buckland, _The Cognitive Semiotics of Film_ (2000).
Francesco Casetti, _ Theories of Cinema, 1945-1995_ (1999).
Countryman and von Heussen-Countryman, _Shane_ (1999).
Thomas Elsaesser, _Fassbinder's Germany: History, Identity, Subject_  (1996).
Elizabeth Ezra, _Georges Melies_ (2000)
_Film and Philosophy_, vol. 4, 1997. [on Tarantino, Hitchcock, Deleuze,
    Beckett]
_Film Studies: An International Review_, no. 1, Spring 1999. [on Sokurov,
    Scorcese, Renoir, Wenders]
Gregory Flaxman, ed., _The Brain Is the Screen: Deleuze and the Philosophy
    of Cinema_ (2000).
Joseph H. Kupfer, _Visions of Virtue in Popular Film_ (1999).
Jean Mitry, _Semiotics and the Analysis of Film_ (2000).
John Mullarkey, _The New Bergson_ (2000).
Kim Newman, _Cat People_ (1999).
_October_, no. 89, Summer 1999. [on Vertov, Bunuel, Hitchcock, Rainer, Jarman]
V. F. Perkins, _The Magnificent Ambersons_ (1999).
Carl Plantinga and Greg M. Smith, eds, _Passionate Views: Film, Cognition,
    and Emotion_ (1999).
James Quandt, ed., _Robert Bresson_ (1998).
James Quandt, ed., _Shohei Imamura_ (1997).
Keith Reader, _Robert Bresson_ (2000).
Rehm, Joyard, and Riviere, eds, _Tsai Ming-Liang_ (1999).
Garrett Stewart, _Between Film and Screen: Modernism's Photo Synthesis_ (1999).
Jane Stokes, _On Screen Rivals: Cinema and Television in the United States
    and Britain_ (1999).
Dai Vaughn, _For Documentary: Twelve Essays_ (1999).
Thomas E. Wartenberg, _Unlikely Couples: Movie Romance as Social Criticism_
    (1999).
Paul Willemen and Jim Pines, eds, _The Essential Framework: Classic Film
    and TV Essays_ (1998).
Linda Williams, _Hard Core: Power, Pleasure, and the 'Frenzy of the
    Visible'_ (1999).
Brian Winston, _Fires Were Started_ (1999).

If you would like to review one of these works then please respond as soon
as possible to:

    editor@film-philosophy.com

Do not hit 'reply', or send to the list where this call is posted.
A brief statement of interest and experience will aid in the selection process.
Don't forget your postal address.

Length: 2-6,000 words
Deadline: October 15th 2000

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    CALL FOR ARTICLES

Submissions are also invited for papers on any topic concerning the
philosophy of moving images, especially extended discussions of recent
films. Papers should be 2-6,000 words in length, original, and not under
submission elsewhere or previously published.

Send articles to: editor@film-philosophy.com
Do not hit 'reply', or send to the list where this call is posted.

Please read our style guide at:
http://www.mailbase.ac.uk/lists/film-philosophy/files/style-guide

    ***************

This call is also available at:
http://www.mailbase.ac.uk/lists/film-philosophy/files/cfp-july2000

    ***************

'Film-Philosophy offers copious essaying on matters high-brow and cinematic
.. . . Stop by when you've a spare contemplative hour.' (Time Out)

Founded in November 1996, Film-Philosophy (ISSN 1466-4615) is an internet
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