Marina Grzinic on Thu, 10 Oct 2002 17:37:03 +0200 (CEST) |
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[oldboys] Re: symposium in Ljubljana, fwd by Grzinic |
BIOTECHNOLOGY, PHILOSOPHY and SEX Conference on Trans-sexuality, New Mediatechnologies & Gender 10-13, October 2002, Ljubljana CONCEPT: Marina Grzinic, Maria Klonaris and Katerina Thomadaki TOPICS: cyberfeminism, cloning, global culture/global nature, politics, gender strategies, extraordinary bodies, aesthetics The international conference/symposium is about philosophical and interdisciplinary (artistic, cultural, political) re-consideration of science and technology, biochips and organs, male and female (trans-sexuality). The development of various forms of observation in space in connection with very special forms of human perception tend to efface the duality of body and mind. The relationship between the body, the machine, the sexual and prosthetical opens an array of epistemological and philosophical questions. Today we see a process of fostering disembodiment within new media technologies, opening crucial questions regarding the politics of representation and the semiotics of articulation of different bodies in different spaces. Last but not least we will have to further question implications concerning specific representational strategies that focus on the human body, developing systems and paradigms, structures and matrices of representations of historically, gender and class-determined bodies. PARTICIPANTS: Marie-Luise Angerer (Germany) Caroline Bassett (Great Britain) Sarah Franklin (Great Britain) Marina Grzinic (Slovenia) Amelia Jones (USA) Maria Klonaris/Katerina Thomadaki (France) Marie-José Mondzain (France) Claudia Reiche (Germany) Karin Spaink (Netherlands) Jackie Stacey (Great Britain) CONFERENCE AND FILM PROGRAM THURSDAY, 10, October, 2002 FILM PROGRAM At 20.00, Slovenian Cinematheque, Ljubljana A HOMAGE TO SANDRA LAHIRE (1950-2001) Curated by Maria KLONARIS & Katerina THOMADAKI The Sylvia Plath Trilogy by Sandra Lahire: 1. Lady Lazarus, 16 mm, colour, 25 min, 1991 2. Night Dances, 16 mm, colour, 15 min, 1995 3. Johnny Panic, 16 mm, colour, 40 min, 2000 FRIDAY, 11, October, 2002 CONFERENCE Place: CLUB CANKARJEV DOM, Ljubljana 14.00 Welcoming note by Marina Grzinic 14.15 -15.00 Caroline Bassett: STRETCHING BEFORE AND AFTER (THE BODY OF NARRATIVE) 15.00-15.45 Marie-Luise Angerer: THE BODY BYTES BACK 15.45-16.30 Karin Spaink: CYBORGS: BEYOND DICHOTOMIES 16.30-17.00 coffee break 17.00-17.45 Maria Klonaris/Katerina Thomadaki: DISSIDENT BODIES IN THE DIGITAL ERA 17.45-18.30 Marie-José Mondzain: FIGURES OF OTHERNESS AND DIFFERENCE IN KLONARIS' & THOMADAKI'S WORK FILM PROGRAM At 20.00, Slovenian Cinematheque, Ljubljana Maria KLONARIS / Katerina THOMADAKI "L'ANGE AMAZONIEN. Un portrait de Lena Vandrey " ("THE AMAZONIAN ANGEL"). >From "THE PORTRAIT SERIES," 16mm, colour & b/w, sound, 92min., France, 1992 SATURDAY, 12, October 2002 CONFERENCE Place: GALLERY KAPELICA, Ljubljana 15.00-15.45 Marina Grzinic: RUPTURE 15.45-16.30 Amelia Jones: FLÂNEURIAL BODIES: RECIPROCAL MAPPINGS OF THE ARTIST AND URBAN SPACE 16.30-17.00 coffee break 17.00-17.45 Claudia Reiche: THE VISIBLE HUMAN PROJECT: ACCESSING AN OBSCENE IMAGE BODY 17.45-18.30 Jackie Stacey: IMITATION OF LIFE: HOMOEROTICISM AND THE NEW GENETICS IN THE CINEMA 18.30-19.15 Sarah Franklin: DOLLY'S BODY: GENDER, GENETICS AND THE NEW GENETIC CAPITAL Marie-Luise Angerer is Professor of Gender & Media at Academy of Media Arts in Cologne, Germany. Her teaching and research areas are New Technology, Media and Gender Studies, Body, Psychoanalysis, Art and Philosophy. Caroline Bassett is a member of faculty in department of media and cultural studies at the University of Sussex, Brighton, UK. She has written extensively on digital technology, as a journalist and now as an academic. She is currently working on The Arc and The Machine, a book on narrative and new media. Sarah Franklin is Professor of Cultural Anthropology, Anthropology of Science at the Lancaster University, Great Britain, and as well as researcher at the Centre for Science Studies, at Lancaster University. In 2001 she was the recipient of a Leverhulme Fellowship to complete a project on cloning, Dolly Mixtures, which extends her interests in theories of kinship and gender, the embodiment of progress, and new forms of genetic capital. Marina Grzinic Mauhler is researcher at the Institute of Philosophy at the ZRC SAZU (Scientific and Research Center of the Slovenian Academy of Science and Art) in Ljubljana. She also works as a freelance media theorist, art critic and curator. Amelia Jones is associate professor of art history at the University of California at Riverside. Her last book is Body Art/Performing the Subject (2001) which represents a reconception of the subjectivity of the artist and the historian calling into question both the production and interpretation of art. Maria Klonaris and Katerina Thomadaki are media artists and filmmakers, curators and theorists of Greek origin. Established in Paris since 1975, they produce films, videos, multi-media installations, performances, photographic pieces, sound and texts. Katerina Thomadaki is Maître de conférences associé at the department of Visual Arts and Aesthetics, University Paris I-Sorbonne and a researcher at the Collcge Iconique (Inathcque de France), and at the Centre de Recherche sur l'Image (Ecole doctorale, University Paris I-Sorbonne). http://mkangel.cjb.net Marie-José Mondzain is a writer and a philosopher. Director of Research at the Centre National de la Recherche Scientifique (CNRS), she was also the co-founder, with Régis Debray and Francis Denel, of the research center "Collcge Iconique" at the Institut National de l'Audiovisuel (INA). Claudia Reiche is culture and media theorist, artist, curator and member of the Women's Culture House Thealit Bremen. Reiche research is focused on medical visualisation, artificial life and electronic entertainment and especially on the Visible Human Project (http://www.rrz.uni-hamburg.de/koerperbilder). Karin Spaink is a writer and essayist. She's fascinated by the intersection between physical presence (bodies) and social and technological surroundings. She has written about the Internet, cyborgs, gender, pornography and trans-sexuality. Other important subjects are the right to suicide, the relief that horror films provides, and the overall importance of freedom of speech. www.spaink.net Jackie Stacey is Professor in Women's Studies and Cultural Studies, Department of Sociology, Lancaster University. She is Co-Editor of the film and television studies journal Screen. Her recent book is Global Nature, Global Culture (written with Sarah Franklin and Celia Lury, Sage Publications, 2000). Sandra Lahire (1950-2001), a major British avant-garde filmmaker, died unexpectedly in July 2001. A deep thinker and a delicate imagist, brilliant and vibrant, she left a cinematic legacy culminating in the Sylvia Plath Trilogy. PRODUCTION: MASKA, Ljubljana within the Seminar for contemporary performing arts in collaboration with Cankarjev dom, Ljubljana PARTNERS: Cankarjev dom, Ljubljana and the Department for Humanity and Education at CD (Barbara Rogelj) CITY OF WOMEN, Ljubljana (Koen van Daele) CNVOS - Fundation Center for information, collaboration and development of the non-govermental organisations, Ljubljana (Natasa Sukic) Gallery Kapelica, Ljubljana (Jurij Krpan) Slovenian Cinematheque ZRC SAZU- Scientific and Research Center of the Slovenian Academy of Science and Arts (dr. Oto Luthar, Director) FI ZRC SAZU- Institute for philosophy ZRC SAZU L'Institut Français Charles Nodier/French Institute Charles Nodier, Ljubljana (Bernard Micaud, Director ) AFAA, Paris Ministry for Information Society of Republic of Slovenia Ministry of Education, Science and Sports of Republic of Slovenia Goethe Institute, Zagreb The Netherlands Embassy, Ljubljana Maska Metelkova 6 1000 Ljubljana Slovenia phone/fax +386 1 4313122 www.maska.si --------------------------------------------------------------------- To unsubscribe, e-mail: oldboys-unsubscribe@lists.ccc.de For additional commands, e-mail: oldboys-help@lists.ccc.de