calebk on Tue, 27 Oct 1998 00:36:43 +0100 (CET) |
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<nettime> pfe-13 |
"Language drags its flabby arse after sound. Therefore it is misspelt, contorted, rinsed out. Language lags behind beats and must be mashed up..." Kodwo Eshun To write about sounds is to outwardly and happily fail but what may be achieved is a sense, a feeling of what has been heard and perhaps understood. -------- Listening to a new release of Alan Lamb's faraway wind organ - the organ made from a half mile of telegraph wires found standing in the western Australian desert, later destroyed by lightening and termites. I listen from the floor as the sun goes down, watching a light projection on my ceiling. At night light shines through my front windows off the cars passing on King Street...better than TV. And the music, what music! The wires drone and creak, thump, mummer and crack with an aerie nostalgia. The rhetoric around them...a romanticism for the artist and for what cannot be heard again. Lamb talks of finding the organ ...wandering around in the desert?... The first track, Nights Passage, the second Last ANZAC. He talks of a great rainbow over the sky at sunset... What huge noises! ----------- It seems that somehow parmentier's new release (luxsound, sigma edition 002) reaches similar levels but in a vastly different setting. The tracks in their unassuming way quietly wrap the listener in sound. One realises they have been engulfed, taken away... (Maybe) there is no romantic know/tions going on here. The artist has not gone to extreme lengths to find themselves outback at night recording what can never be heard again but In its understated way it reaches the same heights. --- # distributed via nettime-l : no commercial use without permission # <nettime> is a closed moderated mailinglist for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@desk.nl and "info nettime-l" in the msg body # URL: http://www.desk.nl/~nettime/ contact: nettime-owner@desk.nl